
Writer/Director Quentin Tarantino has scored the jackpot with his new film, Inglourious Basterds. This film is described by Tarantino as a "Spaghetti Western but with World War II iconography." Picture The Dirty Dozen and The Good, The Bad, And The Ugly mixed into one film; that film would be Inglourious Basterds.
I actually found myself walking out of the theater saying "I liked this better than Pulp Fiction." Crazy considering that Pulp Fiction is one of my all-time favorite movies. But in reality, Pulp Fiction will always be my favorite.
This film has two main plots that tie into one explosive (literally) climax. Shoshanna is a young Jewish woman who uses her cinema as a chance for revenge against the Nazis for the murder of her family. Aldo Raine leads his group of "Basterds" across France to ruthlessly collect "100 dead Nazi scalps." The plots converge into one of the most insane, but entertaining climaxes that I have ever seen.
Quentin Tarantino sure knows how to craft a fine piece of great entertainment. After watching great direction, great acting, wonderful cinematography, Nazi heads being scalped, guns being fired, buildings getting destroyed, and Nazis being blown to bits, you can't help but feel satisfied. It is not the violence that is satifying, but the way that the story is told.
My favorite epic film, Sergio Leone's 1966 masterpiece The Good, The Bad, and The Ugly contains some of the greatest scenes ever filmed. The "Basterds"opening scene, among others, makes homage to that film. In Leone's film, there is a scene in which "The Bad", played by Lee Van Cleef, slowly rides onto the property of a Mexican family. The beautiful desert scenery is accompanied by Ennio Morricone's memorable score. The opening scene in "Basterds" is pretty much the same. The gorgeous scenery of the rolling French fields is backed by the same Ennio Morricone music which Tarantino has greatly reused. That is just one of the brilliant things about this movie.
